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Shiloh Comes is a historical novel, written for the Christian
market, set in the Montana Territory of 1876 with roots going
back to the Adirondack Mountains of New York and the Shenandoah
Valley of Virginia prior to and through the Civil War. Have
a look at the story excerpt below and read the reviews. Then
ask for it at your local bookstore or purchase online through
the links provided on this site.
Why is someone with a long range rifle and unusual skill shooting folks on the J H Connected?
Sarah Hadley and her daughter Hannah are trying desperately to hold onto their home, with old Caleb Stohr the last man remaining to do the heavy work on the ranch. As the Montana winter approaches, a stranger, following the biblical instruction to look after widows and orphans, rides onto the ranch and offers to help.
"Folks call me Shiloh."
"Whatever you may have once been," Sarah said. "I think you have become a very good man."
"No, ma'am, I'm just a man trying to serve a very good God."
Little did they know the danger that lay ahead.
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October 1876
The little girl at the piano was the first
to see him ride over the ridge and down into the Montana valley
that was her home.
"Rider coming, Mother, leading a packhorse," she said, as she
continued to play.
Sarah Hadley walked to the window beside the piano and looked
across the wide expanse of grass. The rider was far enough away
to still be only a dark silhouette against the pale brown of
the autumn grass, but the young woman's breath caught momentarily
as she watched him. The rider sat his horse like the cavalry
officer her late husband had been. How many times, she wondered,
had she watched Jonathan ride across that grass in just such
a manner, leading a packmule in from a hunting trip or from
a trip to town for supplies?
"Keep practicing, Hannah; he is still a long way off."
Sarah left the window, went out onto the wide porch on the front
of the house and stood by one of the massive columns that supported
the balcony above. She looked again to measure the rider's progress
then turned toward the barn and corrals to look for Caleb Stohr,
the one man who had remained on the ranch through the trouble
of the past two years. She saw him working his way around the
corrals and the creek, approaching the house out of sight of
the coming rider. As he reached the side of the house, she moved
to the end of the porch to speak to him.
"Caleb, do you suppose he is looking for work?" she asked. "This
time of year, he might be looking for a place to spend the winter."
"Could be, Miz Hadley," Caleb agreed. "But he's no broke an'
out of work cowpoke, not leadin' a packhorse loaded down with
supplies, prospector maybe." He paused a moment, then added.
"Ma'am, until we've had a look at him, might be wise not to
let on that I'm the only man around the place."
"Caleb, we desperately need help with the work, but I have learned
to trust your judgment of men as much as Jonathan did. I know
you will not lie to him, and I would not expect you to, but
if he is looking for work and you like the looks of him, we
should take him on."
"Yes, Ma'am," he said. "I'll wait down by the barn, an' I'll
have that old Spencer near to hand."
Caleb left her to retrace his route around the creek and corrals.
As Sarah turned back toward the column where she had been watching
by the steps, Hannah came out of the house. The little girl
stood next to her mother and watched the rider work his horses
down the slope toward the beaver pond in front of the house.
"He looks like Father coming home, doesn't he, Mother?" she
said.
"Yes, honey, he does. He sits a horse the same way, but that
is not your father."
"I know, Mother, but I wonder who he is."
"We shall find out when he gets here. Now go back to your practicing
until he does."
During the long ride across the valley, the rider had taken
in everything to be seen, the wide, meandering creek, the stand
of aspens surrounding the beaver pond, the evergreen forest
climbing the mountain foothills beyond the house, bunkhouse
and barn. The buildings were well built and in good repair,
as were the fences, but it was the house that drew his attention,
a large white structure that would have been expected on a southern
plantation before the Civil War, but seemed somehow out of place
on a cattle ranch many miles from the nearest neighbor. He stopped
at the creek before he crossed to let his horses drink, then
he rode on to the woman waiting on the porch at the top of the
front steps. He was surprised by her youth and beauty, no more
than thirty, he thought, probably several years younger, her
rich, dark hair shining in the afternoon sun, a look of sadness
touching the brilliance of her blue eyes. Her manner reminded
him of another young lady standing on a porch just such as this
one.
"Howdy, Ma'am," he said, as he removed his wide-brimmed grey
hat. "Ran into a couple of riders a few days back, down on the
Powder River, said you might be looking for someone to hire
on. Who should I talk to?"
"Caleb is down at the barn," she told him. "You will need to
talk to him."
"He your foreman?" the man asked.
"No, sir," she said. "My foreman was killed several months ago."
"Accident?" he asked.
"No, he was murdered, shot in the back. We do not know why,
and he was not the first. Does that change your mind about wanting
to work here, sir?"
Sarah watched his face for signs of surprise and saw none. His
faded blue eyes were steady, the weathered face never changed.
He was older than she had expected him to be, some years past
forty, but his straw-colored hair had only begun to show white
at the temples, and she sensed a solidness about him, a strength
of character that was both impressive and somehow disquieting.
"No, ma'am, the riders I met spoke some of the trouble you've
had. But I need a place to winter, and it's a little late in
the year to be looking for work, so I thought you might be willing
to take me on."
"Then ride down to the barn and talk to Caleb," she said.
As he was about to replace his hat, Hannah stepped out onto
the porch. She shared some features with her mother, but her
hair was blonde, beginning to turn light brown, and her eyes
were large pools of dark brown.
"Good afternoon, young lady," he said. "Was that you I heard
playing the piano as I was riding across your valley?"
"Yes, sir."
"You play well," he told her. "Much better than I did at your
age."
"You play the piano?" Hannah asked.
"I did," he told her. "It's been some time, though. I'm out
of practice now."
He replaced his hat and turned his horses toward the barn.
"Mister," Hannah called out. "What's your name?"
He stopped the horses and turned in his saddle to look back
at her.
"Folks call me Shiloh."
Caleb had watched from the shadows inside the barn door facing
the house. As Shiloh led his packhorse toward the barn, Caleb
leaned his Spencer carbine against the barn wall and stepped
out where he could be seen.
"You Caleb?" Shiloh asked, as he looked at the lean old man.
"Yep,"
"Folks call me Shiloh. The lady said I should talk to you about
hiring on."
"I 'spect you know somethin' about cattle."
"Worked cattle a few years down in Texas," Shiloh told him.
"Then signed on with a trail herd headed for Kansas. Drew my
pay there and decided to have a look at the country hereabouts."
"Miz Hadley tell you we've had trouble on the ranch?"
"She did, but I'd already heard it from a couple of riders I
met down on the Powder. Part of the reason I came this way-looking
for work this late in the season."
"Could get you shot."
"Wouldn't be the first time," Shiloh admitted.
"Might be the last," Caleb added dryly.
"Reckon I'll let God worry about that."
"You a preacher?"
"Nope, just a believer."
"You object to work that cain't be done from the back of a horse?"
Caleb asked. "Still got hay an' wood to cut fer the winter."
"I'm willing to do whatever needs to be done."
"Then I reckon you're as big a fool as I am," Caleb grinned.
"You're hired."
"Thanks," Shiloh said with a grin of his own. "Appreciate the
confidence."
"Let's get yore gear off them horses an' turn 'em out to graze.
I usually keep some saddle stock in the barn durin' the night,
plenty of empty stalls if you want to bring yores in after supper.
We eat at the big house, by the way, an' Miz Hadley is a very
good cook-the young'un is gettin' to be"
"Glad to hear it-I've had about enough of my own cooking to
do me." Shiloh said, as he eased himself out of the saddle and
onto the ground.
"How much of what's on the packhorse will need to go to the
bunkhouse?" Caleb asked.
"Not much, most of it's food for the winter, bacon, beans, flour,
salt, sugar, coffee, some airtights-peaches, tomatoes and the
like. A sack of potatoes, a sack of ear corn and some canned
milk. Tools I bought in case I had to build a winter shelter.
The tools can be stored here in the barn, reckon the food should
go up to the kitchen-no sense in letting it go to waste, and
it might save a cold trip or two in bad weather."
"Miz Hadley will prob'ly be willin' to pay you fer it," Caleb
told him.
"Well, whatever she thinks is fair." Shiloh said, as he pulled
his rifle from its scabbard and stripped the rig off of his
saddle horse.
"I'll put yore saddle in the tackroom, while you start on yore
packhorse," Caleb offered.
"Thanks."
Shiloh had the tools unloaded from the packsaddle and had stacked
a couple of sacks next to his bedroll, saddlebags and rifle
when Caleb came out of the tackroom.
"This stuff will go to the bunkhouse," Shiloh said, pointing
to the pile surrounding his bedroll. "Any place special I should
put the tools."
"That axe an' saw might come in handy at the woodshed, might
as well keep everythin' together. Been a long time since I've
seen anybody use an adze. You any good with it?"
"I get by when I have to; man that taught me was as good as
anyone I've ever seen." Shiloh said. "The rest of what's on
the packsaddle should go to the kitchen."
"Why don't I take that up while you get moved into the bunkhouse?"
Caleb asked.
"Okay," Shiloh agreed. "Matter which bunk I take?"
"Nope, be just you an' me," Caleb told him. "I have a room to
myself, an' there's a room fer the foreman. It's empty now that
Jim's dead, might as well move in there fer the winter. Ain't
likely Miz Hadley will find anyone else afore spring, prob'ly
not until we figure out who's doin' the killin' an' put a stop
to it."
"You got any ideas on that?" Shiloh asked.
"Somebody with a good rifle." Caleb said. "Best I can figure,
the shot that killed Jim came from seven or eight hunnerd yards
off. Not many rifles will reach that far with any accuracy,
an' it takes a good marksman behind the rifle."
"Was he robbed?" Shiloh asked.
"Not that a body could tell," Caleb said. "Had a little cash
on him-never carried much. His revolver was still in the pommel
holster on his saddle. It was roundup; his rifle was in the
chuckwagon with everybody else's."
"Killer leave any tracks or sign, casing brass or the like?"
"I found where he shot from, mighty little sign-looked to me
like he used a low limb for a rifle rest. If he did, he's a
taller man than me, prob'ly taller than you. An' I think I found
where he tied his horse. Not much sign there either, some pressed
down grass but no hoof prints. Found a few strands of sheep's
wool-made me think he might have wrapped his horse's hooves
with sheepskin to hide his tracks. I followed what little trail
there was into the rocks then lost it completely."
"Was Jim the third man killed?"
"Unless you count the Colonel," Caleb told him. "Looked like
his horse throwed him. That could've been a genuine accident,
an' it happened more'n a year before any of the others."
"The Colonel? Who was that?"
"Colonel Hadley, Miz Hadley's husband. He was a Union cavalry
officer in the war. Jim an' some of the original hands rode
with him back then an' still called him by his military rank,
so we all did."
"Anything make you think it wasn't an accident that killed him?"
Shiloh asked.
"He was as good a man on a horse as any I've knowed, broke his
own string of broncs. Sure, somethin' could've spooked his horse,
an' any man can be throwed, but it just didn't feel right to
me-him landin' headfirst on the only rock around an' bashin'
in the back of his head. It'd rained before we got to him-backtrailed
his horse when it showed up at the barn without him-so the tracks
wasn't clear, but it looked to me like there could've been more'n
one horse an' maybe some boot prints-like he stopped to talk
to somebody. No other reason I can think of fer him to stop
there an' no real reason to get off his horse. If somebody else
was there, it had to be somebody he knew an' trusted. The Colonel
was still too much a soldier to turn his back on a stranger."
"How were the others killed?"
"Purty much the same as Jim, not from as far away, but far enough
to need that same long shootin' rifle an' unusual skill."
"Anything to connect the places where they were killed?"
"Don't think so," Caleb said.
"And nothing stolen?"
"Nope."
"The ranch been missing cattle?"
"Well, we had the worst winter anybody still alive can remember,
so we lost some cattle to the cold, but the tally on calves
fer them that survived was pretty close. Any stock missin' that
weren't killed by the cold could've been got by wolves, maybe
an Injun huntin' party or even a cowboy ridin' the grubline."
"Anybody tried to buy the ranch since the Colonel died, or tried
to scare folks off before the killing started?"
"Not that's been told to me."
Well, there has to be a reason," Shiloh said. "If we can figure
out why, then maybe we can figure out who."
Caleb picked up the lead rope and started the packhorse toward
the house, while Shiloh gathered up his gear and headed for
the bunkhouse. When Caleb reached the back of the house, he
tied the packhorse to a hitching ring mounted on a post at the
edge of the back porch steps and started up the steps. Before
he reached the door to knock, Sarah stepped through the door
to meet him.
"What is all this?" she asked, as she looked at the packhorse.
"Winter food supplies Shiloh bought in case he weren't able
to find work," Caleb said. "He even had tools to build him a
cabin. But he figured we ought to go ahead an' eat the food
rather than let any of it go bad. An' I ain't learned to mind
my own bizness. I told him you'd prob'ly be willin' to pay him
fer it, since meals are usually a part of his wages."
"So you hired him?" she asked.
"Yes, ma'am," Caleb told her. "I liked him right off."
"Well, I told you to make the decision about him, and you were
right that I should pay him for the food," she said. "Will you
help me carry it into the root cellar?"
"Yes ma'am."
Sarah was surprised when she found the sacks with potatoes and
ears of corn.
"Well, either he is a good cook, or he likes to eat better than
the average cowboy."
"Ma'am, he ain't no average cowboy. That there's an uncommon
smart man, an', while he didn't say so, I think he come here
a purpose, 'cause he knowed you was a woman with a child an'
in need of help. I don't know why exactly, but I've got a feelin'
about him. He sits a horse like the Colonel did, wears a Colt's
revolver an' carries a Winchester rifle like they was a part
of him. I'd say he fought in the war, prob'ly cavalry like your
husband was an' most likely an officer as well. When I mentioned
the trouble we've been havin', he didn't so much as bat an eye,
but he knew exactly what questions to ask. An' he's a believer.
Yes, ma'am, I think the Good Lord done sent us just the kind
of help we need right about now."
"I hope you are right, Caleb," she said. "Let us continue to
pray. God knows we need help with the work around here. But
I would hate to have another man die trying to help me hold
on to the ranch."
Caleb hoisted flour and sugar sacks onto his shoulders then
looked back at her.
"When I told him he could get hisself shot just for hirin' on,
he said it wouldn't be the first time. When I suggested it could
be the last, he just said we ought to let God worry about that.
Sounded like good advice to me."
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